So, most of you are aware of the changes Spotify has made in regards to making its platform available for developers to create applications on. In March the music streaming service will launch an app store to assist app developers earn a fee for their efforts. This week, I came across an extremely interesting article in the Guardian called “Spotify The company must turn ourselves into”the OS of Music.”
As a frequent use of free versions of Spotify I am a huge fan of what they are doing for social music, but there are few major problems which I think will hinder it from becoming the OS of music. visit our website
The most obvious is its connection to Facebook which forces users to sign in with an Facebook account. While almost everybody that’s breathing uses Facebook users, many are slightly hesitant to share their listening habits and needing to sign into one platform to access another. While some might argue you can easily change to private listening but it will disorienting a lot of people off. With VEVO’s new deal with Facebook this requires the same process , and this is the reason I will not be using VEVO as much as I did previously.
This seems to be the way that Facebook does business, all or none. If Spotify will ever be the OS of Music, it must separate from Facebook or come up with a new version that doesn’t require users to login via Facebook. Jay-Z was planning to release an album that will be released a few months ago that was titled “The Blueprint 2: The Gift and the Curse,” and in my opinion , an all-in approach to Facebook is definitely a gift and a curse.’ Spotify volgers kopen
Second, Spotify and the recording industry must figure out a way to give artists a fair amount of compensation for music streaming. Major record labels love Spotify, because they own shares, and artists, well…While people argue that listening to music streaming boosts the sales of physical albums I’ve been using Spotify since it launched on the U.S. and I have yet to buy an album after hearing the music on Spotify.
Third, services like iTunes and Rhapsody still are the most dominant digital music services within the U.S. They each operate independently of Facebook. Both services will continue challenge Spotify with the addition of new social functions. Rhapsody recently topped 1 million paying subscribers, making it the most popular streaming service for premium artists across the U.S. iTunes failed to be greeted with a warm welcome from Ping however, I think they’ll make use of the mobile app to provide an integrated service with social features that could challenge Spotify’s dominant position in the realm of social media music.
